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Curiosity Cabinets Workshop

January 29-30, 1999
Humanities Research Institute, University of California, Irvine

 

BIBLIOGRAPHY

Curiosity CabinetsPrimary Sources
Curiosity CabinetsSecondary Sources
Curiosity and Wonder
Intellectual Context for Curiosity Cabinets



Curiosity Cabinets — Primary Sources:

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Aldrovandi, U. Museum Metallicum. Bologna: B. Ambrosini, 1648.

Calzolari, F. Museum Calceolarium. Verona, 1622.

Johnson, Thomas. Cornucopiae, or Divers Secrets: wherein is contained the rare secrets in man, beasts . . . plantes, stones, and such like . . . and not before committed to be printed in English, newlie drawen out of divers Latine authors . . . London: W. Bailey, 1595.

Major, Johann Daniel. Unvorgreiffliches Bedencken von Kunst- und Naturalien-Kammern insgemein. Kiel, 1662.

Quiccheberg, Samuel. Inscriptiones vel tituli. Theatri aplissimi, complectentis rerum universitatis singulas materias et imagines eximias… Munich, 1565.

Rumphius, G. E. D'Amboinsche Rariteitkammer. Amsterdam, 1705.

Tradescant, J. Museum Tradescantianum: or A Collection of Rarities, Preserved at South-Lambeth near London. London: Grismond, 1656.

Worm, O. Museum Wormianum. Leiden: Lugduni Batavorum, 1655.



Curiosity Cabinets — Secondary Sources:

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Accordi, Bruno. "The Musaeum Calceolarium of Verona Illustrated in 1622 by Ceruti and Chiocco." Geologica Romana 16 (1977): 21-54.

Arnold, Ken. "Cabinets for the Curious: Practicing Science in Early Modern English Museums." Ph.D. dissertation, Princeton University, 1991.

Bauer, Rotraut, and Herbert Haupt. "Das Kunstkammerinventar Kaiser Rudolfs II, 1607-1611." Jahrbuch der Kunsthistorischen Sammlungen in Wien 72 (1976).

Braungart, Wolfgang. "Die Utopie der Kunstkammer." In Die Kunst der Utopie: Vom Späthumanismas zur frühen Aufklärung. Stuttgart, 1989.

Defaux, Gérard. Le Curieux, le glorieux et la sagesse du monde dans la première moitié du XVIe siècle. Lexington, KY: French Forum, 1982.

Evans, R. J. W. Rudolf II and His World: a Study in Intellectual History 1576-1612. Oxford: Clarendon Press, 1953.

Findlen, Paula. "The Museum: Its Classical Etymology and Renaissance Genealogy." The Journal of the History of Collections 1, no. 1 (1989): 59-78.

Findlen, Paula. Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy. Berkeley: University of California Press, 1994.

Gamber, Ortwin. Curiositäten und Inventionen aus der Kunst- und Rüstkammer. Wien: Wien Kunsthistorisches Museum, 1978.

Hajos, E. M. "Samuel Quiccheberg's 'Inscriptiones vel tituli theatri amplissimi'." Biblioteque d'Humanisme et Renaissance 25 (1963): 207-11.

Hamdorf, Freidrich Wilhelm. "Du 'theatrum mundi' à la glorification des ducs de Bavièr: Remarques sur les collections d'antiques à Munich, du XVIe au XVIIIe siècle." In L'Anticomanie, edited by Annie-France Laurence and Krzysztof Pomian. Paris, 1992.

Hunter, M. Elias Ashmole and his World. Oxford: Ashmolean Museum, 1983.

Impey, Oliver, and Arthur MacGregor, eds. The Origins of Museums: The Cabinet of Curiosities in Sixteenth- and Seventeenth Century Europe: Oxford University Press, 1985.

Jansen, Dirk Jacob. "Samuel Quicchebergs 'Inscripitones': De encycopedische verzameling als hulpmiddel voor de wetenschap." In Verzamelen, edited by Ellinoor Bergvelt. Heerlen, 1993.

Juel-Jensen, Bent. "Musaeum Clausum, or Biblioteca Abscondita: Some Thoughts on Curiosity Cabinets and Imaginary Books." Journal of the History of Collections 4, no. 1 (1992).

Kaufmann, Thomas da Costa. "Remarks on the Collection of Rudolf II: The Kunstkammer as a Form of Representation." Art Journal 38, no. 1 (1978): 22-8.

Kenseth, Joy, ed. Age of the Marvelous: University of Chicago Press, 1991.

Kopplin, Monika. "'Was frembd und seltsam ist': Exotica in Kunst- und Wunderkammern." In Exotische Welten-Europäische Phantasien, edited by Tilman Osterwold and Hermann Pollig. Stuttgart, 1987.

Kunst- und Ausstellungshalle der Bundesrepublik Deutschland in Bonn. Wunderkammer des Abendlandes: Museum und Sammlung im Spiegel der Zeit. Bonn: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 1994.

Lugli, Adalgisa. "Inquiry as Collection." RES 12 (Autumn, 1986): 109-124.

Lugli, Adalgisa. Naturalia et mirabilia: Il collezionismo enciclopedic nelle wunderkammern d'Europa. Milan: Mazzotta, 1983.

MacGregor, Arthur, ed. Tradescant's Rarities: Essays on the Foundation of the Ashmolean Museum, 1683, with a Catalogue of the Surviving Early Collections. Oxford University Press, 1983.

Olmi, Giuseppe. "Dal 'teatro del mondo' ai mondi inventariati. Aspetti e forme del collezionismo nell'età moderna." In Gli Uffici-quattro secoli di una galleria, edited by Paola Barocchi and Giovanna Ragioneri. Firenze, 1983.

Pomian, Krzysztof. Collectors and Curiosities: Paris and Venice, 1500-1800. London: Polity Press, 1990.

Scheicher, Elisabeth. Die Kunst- und Wunderkammer der Habsburger. Wenen, 1979.

Scheicher, E., and et al. Die Kunstkammer. Innsbruck: Kunsthistoriches Museum, 1977.

Schepelern, H. D. "The Museum Wormianum Reconstructed: A Note on the Illustration of 1655." Journal of History of Collections 2, no. 1 (1990): 81-6.

Schlosser, Julius von. Die Kunst- und Wunderkammern der Spätrenaissance. Ein Beitrag zur Geschichte des Sammelwesens. Ein Handbuch für Sammler und Leibhaber. 2 vols. Braunschweig, 1978.

Schultz, Eva. "Notes on the History of Collecting and of Museums in the Light of Selected Literature of the Sixteenth to the Eighteenth Century." Journal of History of Collections 2, no. 2 (1990): 205-18.

Spener, Jo. Jac. Das Spenerische Cabinet oder kurtze Beschreibung aller so wol kunstlich- als naturlicher alter als neuer fremder als einheimischer courieusen Sachen. Leipzig: Christoph Fleisher, 1693.

Wolbert, Klaus. "Die Kunst- und Wunderkammer: Ein Sammlunstyp zwischen Mythos und Wissenschaft." In Sammeln: Eine Ausstellung zur Geschichte und zu den Formen der Sammeltägkeit. Darmstadt, 1981.

Zimmermann, Heinrich. "Rudolf II und die Prager Kunstkammer." Jahrbuch der Kunsthistorischen Sammlungen des Allerhochsten Kaiserhauses 25 (1893).



Curiosity and Wonder:

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Daston, L. "Curiosity in early modern science." In: Word and Image. 11:4 (1995): 391- .

Daston, L. "Marvelous Facts and Miraculous Evidence in Early Modern Europe." Critical Inquiry 18 (1991): 93-124.

Daston, L. and K. Park. Wonders and the Order of Nature. New York, Zone Books, 1998.

Fisher, P. "The Poetics of Wonder," Meaning in the Visual Arts: Views from the Outside. I. Lavin, ed., Princeton, Institute for Advanced Study, 1995, 175-93.

Hollander, E. Wunder, Wundergeburt und Wundergestallt. Stuttgart, 1921.

Greenblatt, S. Marvelous Possessions: The Wonder of the New World. Chicago, Chicago University Press, 1991.

Greenblatt, S. "Resonance and Wonder." In Exhibiting Cultures: The Poetics and Politics of Museum Display, edited by Ivan Karp and Steven D. Lavine. Washington DC: Smithsonian Institution Press, 1991.



Intellectual Context for Curiosity Cabinets:

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Bennett, J. and S. Mandelbrote. The Garden, the Ark, the Tower, the Tempel: Biblical metaphors of knowledge in early modern Europe. Oxford, Museum of History of Science, 1998.

Blair, A. The Theater of Nature: Jean Bodin and Renaissance Science. Princeton, Princeton University Press, 1997.

Bredekamp, H. The Lure of Antiquity and the Cult of the Machine. Princeton, Marcus Wiener, 1995.

Foucault, M. The Order of Things: an Archeology of the Human Sciences. New York, Vintage Press, 1994.

Lyons, J. Exemplum: the rhetoric of example in early modern France and Italy. Princeton, Princeton University Press, 1989.

Meadow, M. "On the Structure of Knowledge in Bruegel's Netherlandish Proverbs." Volkskundig Bulletin 18, no. 2 (July, 1992).

Moss, A. Printed Commonplace-books and the structuring of Renaissance thought. Oxford, Clarendon Press, 1996.

Ong, W. Ramus, Method and the Decay of Dialogue. Cambridge, Harvard University Press, 1983.